Crenshaw graduated from Lasalle College of the Arts in 2015 with a BA in Musical Theatre. From there he worked many productions as an actor, including The LKY Musical (Metropolitan productions), Rent (Pangdemonium Productions), La Cage Aux Folles (W!ld Rice), and Chicken Little (Singapore Repertory Theatre). In 2018 he was an Assistant Director on Lasalle production of Henry V, directed by Adam Marple. That same year, he Assistant Directed for SRT’s Production of Julius Caesar, directed by Guy Unsworth. Crenshaw joined SRT’s Residency programme as an Assistant Director, and thereafter worked on a number of productions at SRT including Guards at the Taj (2018), The Truth (2019), 1984 (2019), The Gingerbread Man (2019), and The Lifespan of a Fact (2020). Since graduating from the Residency Programme, Crenshaw has worked on Personal and collaboration projects, and also started his theatre company MoreLife Theatre.

Tushar began his journey in theatre as a young clueless 9 year-old and plans to continue well past after he’s a clueless 80 year-old. He joined Dramaplus Arts (DPA) at the age of 11 and stayed there till he was 16. Under many wonderful teachers he performed in many performances for DPA including Open Sesame: An Ali Baba Musical (2001) as the Ali Baba and Romeo and Juliet: Singapore 2010 (2003). He was next seen in i-Theatre’s The Secret of Laughter (2006)

Wanting to make theatre a bigger part of his life - he joined the pioneer batch of ACJC’s Theatre Studies programme and was fortunate to have been a part of The Tempest (2006), Beauty and the Beast (2006), West Side Story (2007)), where the guidance of Mrs. Geetha Creffield, Ms. Michelle Wong and Michael Corbidge greatly helped him in his grounding as a theatre practitioner.

Following National Service he played a part in SRT’s Shakespeare in the Park: Macbeth (2010). The next few years of his life would see him getting heavily involved with Yellow Chair Productions, where he was seen playing the lead role in their 2012 productions of Neil Simon’s The Star-Spangled Girl and Haresh Sharma’s Off-centre, as well as 2013’s production of Christopher Durang’s Baby with the Bathwater. He would continue serving Yellow Chair in a non-acting capacity for a few years more.

Since then, he has had the fortune of acting in the lead role in various productions for Open Stage, The Stage Club, Ravindran Drama Group, Hot Chocolate Theatre, and Act 3 International,

Recently, in 2020, he was seen in the virtual play Expats Anonymous by Yale Cabaret and written by dear friend, Rachel Chin.

Not only does he love improving himself through training, but over the years, Tushar has fallen in love with being a CCA Instructor and enjoys sharing his love of theatre and storytelling with the next generation.